
Silente y por tanto sin subtítulos.
4:29 min. | Xvid 640x480 | 1473 kb/s | 25 fps
47MB + 3% recuperación/recovery
4:29 min. | Xvid 640x480 | 1473 kb/s | 25 fps
47MB + 3% recuperación/recovery

Durante el rodaje de Jacquot de Nantes, Agnes Varda consiguió alquilar el garaje donde Jacques creció. En el altillo, se amontonaban aún, capas y más capas de trastos viejos que Varda hizo despejar y revisar cuidadosamente en busca de algún indicio de la niñez de Jacques. La dura tarea dio buenos frutos, tras retirar mucha chatarra, llegaron a la infancia de Jacques y lograron recuperar rollos de película dibujados por Demy para montar sus primeras animaciones, decorados, personajes de cartón, en fin, precioso material que fue cuidadosamente restaurado y en algunos casos incluso redibujando y montado siguiendo las indicaciones y los recuerdos de Jacques Demy.
Le Pont de Mauve (1944)
Jacquot tenía 13 años cuando dibujó este corto animado que realizó durante la guerra y donde relata el bombardeo de la aviación sobre el puente de Mauve. Este fue el corto menos complicado de rehacer ja que solo había que dibujar siguiendo las indicaciones de Jacques y no había animaciones complicadas como en los otros dos. El bombardeo del puente de Mauves en Nantes fue redibujado imagen a imagen, y para verla bastaba proyectar unq imgen tras otra a la velocidad necesaria.
Attaque nocturne (1947-1948)
Esta película sólo existía en la memoria de Jacques, pero localizaron en el almacén del viejo garage Demy, algunos personajes recortados en cartulina, como los dos ladrones y con la ayuda de un diseñador y la memoria de Jacques recrearon los decorados y los demás personajes.
La Ballerine (fecha desconocida)
Cuando mostraron a Jacques los fragmentos de película encontrados, inmediatamente lo identificó como La Ballerine. Un estudiante de Bellas Artes de Nantes redibujó cada escena, imagen a imagen sobre película de 16 mm.
DVD rip de matduhaa (kg)

Info of Secret Cinema, thanks to MusclyBarbarian for the post, and wootletootle to the translation.
To be able to show today these short animations is the result of an adventure.
When Agnes Varda was preparing the film "Jacquot de Nantes" in 1990 she was able to film in the small apartment and even the garage, where Jacques had been brought up.
In the course of emptying out the attic so as to recreate the small studio which Jacques had set up at that time, Mireille Henrio, the archivist, and Agnes found scraps of 9.5 mm film stock, dry, creased and almost ruined, and two small cutout cardboard figures. It turned out to be impossible to project the original films, so an attempt was made to remake them.
LE PONT DE MAUVES (THE MAUVES BRIDGE)
This was the simplest film to remake since it consisted of just an animated design, and was not an animated film like the two others. The bombardment of the Mauves bridge at Nantes was redrawn, image by image, and it is sufficient to project the result at a suitable speed.
ATTAQUE NOCTURNE (NIGHT ATTACK)
This film only existed in Jacques' memory, for all that remained were the cardboard cutouts of the two robbers. With the help of a designer Jacques drew on his memories to recreate the decor and the characters. The camera operator then photographed each image so as to reconstitute the film.
LA BALLERINE (THE BALLERINA)
When the film fragments were shown to Jacques he immediately identified it as La Ballerine. A student from the Fine Arts college at Nantes then resigned each scene, image by image, on new 16 mm film stock. The movements could thus be visualised. Then the characters were recreated based on the Attaque Nocturne designs, and the decor was similarly recreated. The camera operator then photographed each image so as to remake the film. We were able to show these three films in "Jacquot de Nantes", and now preserved on this DVD, keeping to the original style which Jacques designed, then produced and filmed. This miraculous restoration allows us to see how
Jacques, right from the beginning, maintained his extraordinary passion for the cinema.
When Agnes Varda was preparing the film "Jacquot de Nantes" in 1990 she was able to film in the small apartment and even the garage, where Jacques had been brought up.
In the course of emptying out the attic so as to recreate the small studio which Jacques had set up at that time, Mireille Henrio, the archivist, and Agnes found scraps of 9.5 mm film stock, dry, creased and almost ruined, and two small cutout cardboard figures. It turned out to be impossible to project the original films, so an attempt was made to remake them.
LE PONT DE MAUVES (THE MAUVES BRIDGE)
This was the simplest film to remake since it consisted of just an animated design, and was not an animated film like the two others. The bombardment of the Mauves bridge at Nantes was redrawn, image by image, and it is sufficient to project the result at a suitable speed.
ATTAQUE NOCTURNE (NIGHT ATTACK)
This film only existed in Jacques' memory, for all that remained were the cardboard cutouts of the two robbers. With the help of a designer Jacques drew on his memories to recreate the decor and the characters. The camera operator then photographed each image so as to reconstitute the film.
LA BALLERINE (THE BALLERINA)
When the film fragments were shown to Jacques he immediately identified it as La Ballerine. A student from the Fine Arts college at Nantes then resigned each scene, image by image, on new 16 mm film stock. The movements could thus be visualised. Then the characters were recreated based on the Attaque Nocturne designs, and the decor was similarly recreated. The camera operator then photographed each image so as to remake the film. We were able to show these three films in "Jacquot de Nantes", and now preserved on this DVD, keeping to the original style which Jacques designed, then produced and filmed. This miraculous restoration allows us to see how
Jacques, right from the beginning, maintained his extraordinary passion for the cinema.

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