02 agosto 2008

Mario Camus - Los santos inocentes (1984)


Castellano | Subs: English .srt + EN/PT idx/sub | 103 min
XviD 640x416 | 1442 kb/s | 256 kb/s mp3 | 25 fps
1,21 GB + 3% de recuperación rar



On a feudal farm in northern Spain, stereotypical images of noble, earthy peasants are made unexpectedly touching in Mario Camus's ''Holy Innocents,'' which focuses on the travails of one peasant family. As gatekeepers to the large country estate of a marchioness and her family in the 1960's, these workers are privy to all the aristocracy's cruelty and callousness.



Mr. Camus, along with recording the highhandedness with which the peasants are treated, captures both the hardship and the richness that characterize the lives of these workers. He works particularly hard at conveying their closeness to animals, with whom they live in primitive proximity, and to the land.

The film has a section named for each of its chief characters. These are Paco (Alfredo Landa), who has a preternatural talent for helping the young master Ivan (Juan Diego) with his hunting, and who can crawl like a bloodhound to sniff out a dead bird; Azarias (Francisco Rabal), who prefers live birds and trains them lovingly, although his simplemindedness and appalling hygienic habits have made him a pariah; Nieves (Belen Ballesteros), the pretty daughter who hopes to
go to the city to seek her education but is recruited as a housemaid, and Quirce (Juan Sanchez), the son who's even more determined to make his escape. Their mother, Regula (Terele Pavez), tends another child, a brain-damaged girl, and holds the family together fiercely. It is she who, when approached by any of the aristocrats, can deliver the most dutiful ''We're here to serve.''

'The Holy Innocents'' introduces these people in a gradual and engrossing way, without overly stressing the reprehensible ways they are treated. The film builds its case slowly and carefully and, if anything, it seems less predictable in its later moments than it does at first. One scene shows the marchioness (Mary Carillo) handing out coins to the peasants to commemorate one of her rare visits. This relatively mild episode is given no more emphasis than the sequence in which Master Ivan, who is especially eager to have Paco accompany him on a hunting trip, simply refuses to take the servant's word that his broken leg, which is in a cast, has really incapacitated him. It was on one of Master Ivan's earlier hunting trips that the leg was broken.

''The Holy Innocents'' is acted in a plain, utterly convincing style, particularly by Mr. Landa, who arouses great compassion. It culminates in a scene that, even in light of the story that has preceded it, comes as a shock. Janet Maslin, NYT

The Holy Innocents at Strictly Film School:
http://www.filmref.com/notes/archives/2007/03/the_holy_innocents_1984.html



Los santos inocentes se ambientan en los años 60 en el cortijo de una familia aristócrata y franquista, un universo propio donde se contrastan dos mundos muy marcados, el de los amos y el de los criados, a través de unos personajes inolvidables. Es esta una dura crónica rural en los años 60, un periodo donde el contraste entre clases sociales es abismal y unos dominan completamente a otros sin ningún tipo de piedad o compasión, como consecuencia de la alta diferencia entre unos y otros, provocada por el sistema de reparto agrario, del cual salieron claramente beneficiados nobleza y burguesía. La familia de Paco (Landa) y Regula(Terele Pavez) es el verdadero ejemplo de la sumisión a la que se ven abocados los campesinos de estos años, un crudo ejemplo de pobreza, miseria e infortunio así como de la ingenuidad.

Son seres que asumen su condición y no intentan discutirla, sus vidas se deben únicamente a los amos, los cuales también asumen otro estatus y lo llevan al paroxismo. El que es pobre se sabe pobre y el que es rico se sabe rico, y ambos ejercen su posición.

En Los santos inocentes esa miseria es aun mayor y se ve salpicada por dosis de ternura lo que hace que el retrato sea si cabe mas eficaz. Esa hija disminuida, inútil, a la cual deben de mantener con sus escasos recursos o Azarias un personaje desquilibrado que consigue la complicidad y el cariño del espectador. Son seres bondadosos machacados por la vida, en contraposición con la fortuna, la tangible y la que no lo es, de los ricos. Dura, cruel, tierna, inocente e ingenua, estos son algunos de los adjetivos que se le pueden dar a Los santos inocentes, sin duda uno de los mejores films españoles de los años 80.

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3 comentarios:

matoute dijo...

Muchas gracias!

toribiow dijo...

Gracias, sca.

Cero por la boca dijo...

Buenisimo, siempre quise ver ésta pelicula, que bueno que lo resubiste, ¡scalisto sigue vivo!